The Quiet Man

Bringing the golden era of cinema back to life

In Summer 2013, I had the pleasure of collaborating with the Ballyglunin Railway Restoration Project to create a supplement in The Connacht Tribune as an entry into the Get Involved Community Initiative, for which we received a highly commendable award. The following blog post is a collection of articles I wrote during those exciting weeks.

Community uses the foundations of past glories to build a bright future

Its railway station was captured on film forever as one of the iconic scenes of The Quiet Man – but that was ancient history. And, as Jessica Thompson discovered, restoring the old railway station in Ballyglunin was as much about ensuring a vibrant future as reliving those halcyon days.

Basking in past glories is good and well, but the community around Ballyglunin realised that time might have somewhat eroded the village’s fame as one of the focal points of The Quiet Man.

So rather than resting on their laurels, they set about restoring their old Railway Station – famed from the John Ford movie that starred John Wayne and Maureen O’Hara – into a modern, vibrant part of their village today.

And, almost as a parallel, the Ballyglunin Railway Restoration Project teamed up with local drama group Abbey Acts to bring The Quiet Man itself back to the place where it all began.

With the script provided by Frank Mahon, a Chicago-based playwright who adapted the original story by Maurice Walsh for the stage, the play was directed by Padraic Mannion and Marion Williams and performed by a cast of seven from Abbey Acts.

“It was an equal partnership between the two groups and I think that’s what led to the whole success of it,” said Mark Gibson, Secretary of the Ballyglunin Railway Restoration Project.

“We [the Ballyglunin Restoration Project Committee] focused on the production side. We commissioned a local artist who came down here and painted a lovely painting of the station specifically for the promotion of the play and that was the start of people really getting involved. From there on we just grew and grew and grew,” he said.

Local artist and art teacher Órla Forde produced the painting used on the posters – 500 were circulated all over Galway, and fliers and booklets were printed and distributed by the committee who also set up the website and online ticket sales.

Meanwhile, Abbey Acts focused on the acting and performance of the play, which was completely sold out for all three performances.

Micheál Finn, Chairman of the Restoration Committee, pointed out that “the sales surpassed all expectation. We’re delighted with the result. It was a complete success from the first night to the last”.

The local community really got involved in every aspect of the project, with people donating gravel, flowers and their time. The Rural Social Scheme did a huge amount of work to prepare the site, including strimming, painting, raking, sweeping, construction of flower boxes and the planting of flowerbeds.

A major part of the project was the transformation of the storehouse, in which the play was performed. The storehouse was first restored in 2006, when the community raised enough money to reroof the building to prevent any deterioration to the walls and structure of the building. The Restoration Committee hopes to turn the building into a visitor’s centre.

“We’re very much of the mindset that we cannot put all this effort into restoring the building and just wrap it in cotton wool and try and preserve it. It’s very much about using it for the community and any profits would be reinvested into the site, and even the area once we get this up and running,” said Mr Gibson.

As part of the transformation, a stage had to be erected, the building had to be secured, and seating area had to be constructed, as well as a set. All of this was done by Eugene Finnegan.

“Padraic Mannion was probably the main driving force behind the layout of the building and Eugene Finnegan got involved then. When he heard about this project he just leapt on board; he just loved the idea of it. He was a major inspiration,” Mr Gibson explained.

The creativity and innovation of the community provided a positive visual impact to the project, using theatre to bring a historical building back to life. The Quite Man has long been an iconic part of Ireland’s cinematic history and by bringing it back to the railway station, Ballyglunin has been firmly put back on the map.

The Ballyglunin Railway Restoration Project hopes to run regular events at the station to help fund the restoration project. The plan is to create an internationally recognised heritage site that will attract foreign and Irish visitors alike. It will also be a key meeting place for the Ballyglunin community.

“This whole event has really opened our eyes to what the possibilities could be. We could have some really lovely, intimate gigs here. There’s a place down in Dingle that kits this old church out and puts on gigs in it.

“We could do the same thing here,” said Mr Gibson who would be interested in using the building for “classy” parties or conferences as well as an annual staging of The Quiet Man.

Set in 1921, the play follows the storyline of Maurice Walsh’s original The Quiet Man rather than John Forde’s film. It tells the intricately woven tales of domestic and romantic relationships between the characters, bringing great humour and emotion to the story. The two-act play has something for everyone; local and national politics, romance, humour and that famous fight scene. Most poignant of all are the loyal friendships that run deep throughout.

With all three nights sold out, and a standing ovation to finish every performance, the play was a huge success.

“It was really humbling and totally deserved. It was really gratifying and satisfying. It was a genuine appreciation. People are just sending us message saying they had a fantastic night. A lot of people didn’t know where Ballyglunin was, so [the play] has really put it on the map,” said Mr Gibson.

The benefits this project will have on the community are endless. The Restoration Committee firmly believe that it has created a huge sense of community and boosted morale in the area.

New lasting relationships have been formed and local pubs and hotels have confirmed that the play has made a big difference to their businesses.

The restoration of Ballyglunin Station’s storehouse will continue, with rising support from the local residents, businesses, and even Maureen O’Hara, who starred in John Forde’s classic.

In a personal message to the Ballyglunin Restoration Committee Project last March, Maureen O’Hara said: “The wonderful Ballyglunin Railway Station is one of those special locations used in The Quiet Man that helped bring the cosy village of Innisfree to life.

“John Ford loved the name Castletown used for the station and I can still remember sitting in the last carriage of that grand old steam train waiting for John Wayne to come and save me.

“I hope everyone will join the cause and help save the Ballyglunin Railway Station. It truly is part of Ireland’s great cinematic history.”

Now that Ballyglunin is firmly back on the map, the committee hopes to see more visitors arriving at this iconic symbol of Ballyglunin’s heritage.

Ballyglunin station. Photo via The Connacht Tribune.

Ballyglunin station. Photo via The Connacht Tribune.

Abbey Acts performs The Quiet Man at Ballyglunin

John Ford’s The Quiet Man has long been an iconic part of Ireland’s cinematic history and Ballyglunin Railway Station has successfully brought that part of history back to life.

It was back in June 1951 that The Quiet Man first came to Ballyglunin Railway Station. The feet of Hollywood stars such as John Wayne and Maureen O’Hara walked along the platform as director John Ford arranged scenes for the iconic film that put Ballyglunin, or Castletown as it is called in the film, on the map.

The Railway Station has been through a lot in the past 62 years, and now, in the summer of 2013, it has been restored to some of its former glory, with Chicago-based playwright Frank Mahon’s stage adaptation of Maurice Walsh’s The Quiet Man.

Set in 1921, the play follows the storyline of Maurice Walsh’s original The Quiet Man rather than John Forde’s film. It tells the intricately woven tales of domestic and romantic relationships between the characters, bringing great humour and emotion to the story. The two-act play has something for everyone; local and national politics, romance, humour and that famous fight scene.

Directed by Padraic Mannion and Marian Williams and performed by a cast of seven, the play was staged over three nights, selling out each night, and finishing with standing ovations from the audience.

Some very special guests arrived in Ballyglunin to see the play. One of these was Tom Bawn Enright who watched the Sunday night performance.

“He was the son of the main character, Paddy Bawn Enright who, in the film, would have been John Wayne. So the son of the guy that the original story was based on was here and he was in tears in the audience and the cast were all quite moved by that,” said Mark Gibson, Secretary of the Ballyglunin Restoration Project.

Other VIP guests included the grandsons of Maurice Walsh, Barry and Ross, who travelled from Dublin to see the play. There were people from Hungary, Germany, the UK and other parts of the world, as well as several from Chicago, where Frank Mahon is from. There were also members of the Niland family whose history is connected to John Forde’s film.

Joseph Niland, the son of the Ballyglunin Station Master, Tommy Niland and his wife ‘Baby’ of the Corofin Stephens football clan, was a seven years old when the Hollywood stars came to his house.

“I remember a lot of action around the station. There were vans and cars parked everywhere and my mother decided that we should have a day off [school] to see what was going on,” he said.

“I remember my mother providing a bicycle to John Ford while she also supplied a few old trunks that John Wayne had when he arrived back from America. My mother just seemed to take things in her stride – everyone got the same welcome whether it be John Wayne, Maureen O’Hara or the neighbour down the road,” he recalls.

The Connacht Tribune edition of June 23, 1951, carried a feature on the filming of The Quiet Man with access to the stars being given to the unknown reporter of the time, through the local press liaison officer, Lord Killanin. When interviewed at the time, Maureen O’Hara painted an idyllic picture of the West of Ireland and Cong, where most of the filming was done.

“I have never experienced such luck on any film. When we require brilliant sunshine, we get it, and when we need rain, it comes almost on the minute.

“I think Ireland is the star of this picture. No one has ever put Ireland in Technicolor on the screen before. This is something I have always wanted to do – the filming of The Quiet Man had been planned back as far as 1946 but something always turned up to postpone it,” Maureen O’Hara told The Connacht Tribune back in that Summer of 1951. In March of this year, she expressed her support of the restoration of Ballyglunin Railway Station, saying that “it truly is part of Ireland’s great cinematic history.”

The Quiet Man story first appeared in the US weekly magazine, the Saturday Evening Post of February 11, 1933, and spawned the notion in John Ford’s head of making a film version of the tale. The rest is history.

The audience awaits the start of the Quiet Man. Photos: Johnny Ryan.

The audience awaits the start of the Quiet Man. Photos: Johnny Ryan.

Get Involved Judges visit Ballyglunin Railway Station

Ballyglunin Railway Station was buzzing with activity on Monday morning as Get Involved judge Duncan Stewart paid a visit to survey the area.

The Ballyglunin Railway Station Restoration Project, which is the Connacht Tribune entry into this year’s Get Involved Initiative, is one of the finalists in the competition, following a very successful performance of Maurice Walsh’s The Quiet Man, as adapted for the stage by Frank Mahon.

The storehouse of Ballyglunin Railway Station and the station itself underwent a massive facelift to prepare for the performance, resulting in massive crowds flocking to the three sell-out performances of The Quiet Man.

Duncan Stewart, accompanied by representatives from the Regional Newspapers and Printers Association of Ireland Enda Buckley and John O’Hanlon, was very impressed with the result of this project.

“It’s wonderful to see a community come together like this to do something really positive for the area, based on this event, The Quiet Man. It’s really wonderful to see how you can do this and bring all the local people together – all voluntarily involved in this. And I think the fact that you’ve got a plan into the future – it’s not just a one-off event – I think that’s really important.

“And it’s also good to see that the play has gone on a journey around the country – that’s another new life that has been developed out of this,” said Mr Stewart.

In fact, Ballyglunin brought him a hint of nostalgia as he told the crowd of how his mother wrote plays, creating characters to suit any personality, and giving her kids a part in the performances.

Nostalgia was on the cards for many this summer as the play saw a number of those who were around when the filming of John Ford’s classic The Quiet Man saw stars such as John Wayne and Maureen O’Hara wander the platform of the lovely old railway station.

“It’s a gem of a play all on its own and through hell and high water it had to go on here,” said Marian Williams, who directed the play alongside Pádraig Mannion.

“This part of Galway really excelled in community spirit. Everyone is very passionate about this old building and to have it open even for a weekend was great.

“For the community at large it must have brought back some of the magic from when the film was filmed here and then we had three sell-out shows,” she added.

The plan is not only to perform The Quiet Man more regularly, but to use the station as a venue for other events. Secretary of the Ballyglunin Railway Restoration Committee Mark Gibson discussed plans to have an arts centre and a coffee shop, to allow tourists to visit the station more often.

The sustainability of this project and the future plan is what impressed Mr Stewart the most: “All of these Get Involved projects lead to new things – bigger things. They’re leading to sustainability into the future. I think it’s wonderful to see what you’ve done here and to see such creative people do really, really good things.”

The project was a massive success for Ballyglunin Railway Station, and the pride was visible in each and every person involved, as they prepared tea and sandwiches for the visitors and talked about their own involvement in the project.

Now in a small group of finalists for the Get Involved Initiative, the Ballyglunin community is hoping to achieve yet another success by winning the competition.

Get Involved

Connacht Tribune Journalist Jessica Thompson and members of Abbey Acts and the Ballyglunin Railway Restaration Project meeting Michael D. and Sabina Higgins and receiving a highly commendable award for their hard work.

Bringing the award home…

It was back in June 1951 that The Quiet Man first came to Ballyglunin Railway Station and now in 2013, the community of Ballyglunin has been rewarded for bringing The Quiet Man back, over half a century later.

The Ballyglunin Railway Restoration Project and Abbey Acts are patting themselves on the back following the presentation of a highly commendable award in the inaugural Get Involved campaign which took place recently.

A total of 22 community projects were honoured by President Michael D Higgins at Áras an Uachtarain on 12 September and the Quiet Man project was among the best.

The project, which was in association with the Connacht Tribune, was completed by the Ballyglunin Restoration Project, who teamed up with the local drama group Abbey Acts to produce and perform Maurice Walsh’s The Quiet Man in the old storehouse of the railway station.

“It was an equal partnership between the two groups and I think that’s what led to the whole success of it,” said Mark Gibson, Secretary of the Ballyglunin Railway Restoration Project.

Ballyglunin Railway Station has been through a lot in the past 62 years, and now, with the help of the Ballyglunin community, it has been restored to some of its former glory, with Chicago-based playwright Frank Mahon’s stage adaptation of Maurice Walsh’s The Quiet Man.

“We [the Ballyglunin Restoration Project Committee] focused on the production side. We commissioned a local artist who came down here and painted a lovely painting of the station specifically for the promotion of the play and that was the start of people really getting involved. From there on we just grew and grew and grew,” said Mr Gibson.

Local artist and art teacher Órla Forde produced the painting used on the posters – 500 were circulated all over Galway, and fliers and booklets were printed and distributed by the committee who also set up the website and online ticket sales.

Set in 1921, the play follows the storyline of Maurice Walsh’s original The Quiet Man rather than John Forde’s film. It tells the intricately woven tales of domestic and romantic relationships between the characters, bringing great humour and emotion to the story.

Directed by Padraic Mannion and Marian Williams and performed by a cast of seven, the play was staged over three nights, selling out each night and receiving standing ovations from the audience every night.

A Trojan effort was put in by members of the community to prepare the railway station for the return of The Quiet Man on 19, 20 and 21 July this summer. Community members donated supplies and time, to turn the old storehouse into a theatre.

“It’s a gem of a play all on its own and through hell and high water it had to go on here [at Ballyglunin railway Station],” said director Marian Williams.

“This part of Galway really excelled in community spirit. Everyone is very passionate about this old building and to have it open even for a weekend was great.

“For the community at large it must have brought back some of the magic from when the film was filmed here and then we had three sell-out shows,” she added.

A huge amount of work was done to prepare the station for its sell-out shows, with people donating gravel, flowers and their time. The Rural Social Scheme strimmed, painted, raked and swept the area as well as constructing flowerboxes and planting flowerbeds.

As part of the transformation, a stage had to be erected, the old building had to be secured, and seating area had to be constructed, as well as a set. All of this was done by Eugene Finnegan.

“Padraic Mannion was probably the main driving force behind the layout of the building and Eugene Finnegan got involved then. When he heard about this project he just leapt on board; he just loved the idea of it. He was a major inspiration,” Mr Gibson explained.

The restoration of the station began in 2006 when the local community raised enough money to reroof the building to prevent any deterioration to the walls and structure of the building, and the Restoration Committee wants to ensure that the building is used regularly now that it has been somewhat restored.

“We’re very much of the mindset that we cannot put all this effort into restoring the building and just wrap it in cotton wool and try and preserve it. It’s very much about using it for the community and any profits would be reinvested into the site, and even the area once we get this up and running,” said Mr Gibson.

The creativity and innovation of the community provided a positive visual impact to the project, using theatre to bring a historical building back to life. The Quite Man has long been an iconic part of Ireland’s cinematic history and by bringing it back to the railway station, Ballyglunin has been firmly put back on the map.

When visiting Ballyglunin Railway Station recently, Get Involved judge Duncan Stewart said: “All of these Get Involved projects lead to new things – bigger things. They’re leading to sustainability into the future. I think it’s wonderful to see what you’ve done here and to see such creative people do really, really good things.”

Written by Jessica Thompson